The last thing captain Benny Griessel of the Hawks needed, was trouble. Because he might be hitting the bottle again, he's lying to his colleagues and his Alcoholics Anonymous sponsor. And moving in with Alexa was a mistake. A rascal of a mistake.

But the guest house bloodbath near Franschhoek was the work of a professional assassin - three victims, three perfect head shots. And it isn't only the the inexplicable engraving of a spitting cobra on the shells - and the looming media circus - that's making Griessel very nervous.

Two of the deceased were lean military types. Special Forces. Or Spooks.


Down the passage, in the last bedroom on the right, are signs of a struggle, and too much evidence that someone was kidnapped. Probably a foreigner

Big trouble..

But the passport is fake, the British Consulate is playing spy games, and the same assassin goes on a shooting spree at Cape Town's Victoria & Alfred Waterfront. Then, the shadowy State Security Agency wants to take over the case, and the Hawks has to hunt down a very slick, very smart and very elusive pickpocket to save their pride - and the democracy.

Maximum trouble.


Review Snippets

  • Deon Meyer has reinvigorated this genre thanks to his formidable talent for staging action, that drives the reader, bated breath, to the very last page.

    Added to this, Meyer possesses a deep humanity that permits him to create primary and secondary characters that the reader will immediately connect to. The cherry on the cake is the context in which these novels take place, South Africa today, post-apartheid, as desperate and fascinating and as beautiful and violent as the world of KOBRA.

    Reaffirmation for his many fans and at the same time, an excellent introduction for the lucky new reader to his world.

    — Pages Des Libraires
  • Nothing takes you further into the heart of South Africa than a Deon Meyer crime novel, the beating heart of its hopes and disappointments.

    — L’Hebdo
  • Deon Meyer, the most famous crime novelist in South Africa, writes about corruption in a way that no political analyst would ever to dare to do.

    — Cles
  • With this venomous, scintillating KOBRA, Deon Meyer hits turbo charge, and creates a plot worthy of the best spy novel, in the furnace of an electrifying thriller, to create a masterpiece.

    — Le Figaro
  • Deon Meyer is the only South African crime writer who is also a great writer. Since his first novel was released in 1996, this has never changed… KOBRA is a page-turner but also a brutal vision of South Africa.

    — L’Obvs
  • It is difficult not to love Deon Meyer’s South African thrillers. This is another great vintage from the master…. He manages to marry breath-taking action with a clever plot.. The denouement on board a train is pure bravura.

    — Le Monde
  • This is terrific stuff: fine plotting, superb characterisation, a constant thread of suspense, a multi-ethnic cast and an intriguing setting (Cape Town itself and the wine-producing region around Stellenbosch).

    It also comes with a glossary of South African terms and if Cobra doesn’t win at least one major prize this year, then someone need a good snotskoot bliksening.

  • — Mike Stotter in SHOTS Magazine
  • ‘Relentlessly suspenseful, topical, hard-hitting and richly rewarding, COBRA is a superb novel from an author who is acclaimed around the world as a brilliant voice in crime fiction.’

    – Tangled Web
  • Cobra is Meyer's best book yet.

    Die Burger
  • Meyer has an almost supernatural ability to know what is going to be topical.

    — Andries Wessels in Beeld
  • Meyer’s crime novels give you more than just a good crime story. They restore your faith in the world because the good guys are out there fighting – and sometimes they win.

    — Diane de Beer, Pretoria News